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  <title>Annotations &amp; Epistles</title>
  <link>https://theodor-gylden.dreamwidth.org/</link>
  <description>Annotations &amp; Epistles - Dreamwidth Studios</description>
  <lastBuildDate>Sun, 09 Nov 2014 02:39:00 GMT</lastBuildDate>
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    <url>https://v2.dreamwidth.org/1084631/1208611</url>
    <title>Annotations &amp; Epistles</title>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/17212.html</guid>
  <pubDate>Sun, 09 Nov 2014 02:39:00 GMT</pubDate>
  <title>The Constant North.</title>
  <link>https://theodor-gylden.dreamwidth.org/17212.html</link>
  <description>Encompass me, my lover,&lt;br /&gt;With your eyes&apos; wide calm.&lt;br /&gt;Though noonday shadows are assembling doom,&lt;br /&gt;The sun remains when I remember them;&lt;br /&gt;And death, if it should come,&lt;br /&gt;Must fall like quiet snow from such clear skies.&lt;br /&gt;&lt;br /&gt;Minutes we snatched from the unkind winds&lt;br /&gt;Are grown into daffodils by the sea&apos;s&lt;br /&gt;Edge, mocking its green miseries;&lt;br /&gt;Yet I seek you hourly still, over&lt;br /&gt;A new Atlantis loneliness, blind&lt;br /&gt;As a restless needle held by the constant north we always have in mind.&lt;br /&gt;&lt;br /&gt;- J.F. Hendry&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=17212&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/17212.html</comments>
  <category>copied</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/16877.html</guid>
  <pubDate>Mon, 10 Mar 2014 20:49:40 GMT</pubDate>
  <link>https://theodor-gylden.dreamwidth.org/16877.html</link>
  <description>&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://theodor-gylden.dreamwidth.org/16877.html#cutid1&quot;&gt;On Parabola&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;p&gt;[a collaborative document can be found &lt;a href=&quot;https://docs.google.com/document/d/1Q2B3LsC6_S0AzT8jsvUiSdOIfddmQTQv56FYK1MIRYw/edit?usp=sharing&quot;&gt;here&lt;/a&gt;; use it to share your own quotes, correspondences, and speculations.]&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=16877&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/16877.html</comments>
  <category>dreams</category>
  <category>concordances</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/16554.html</guid>
  <pubDate>Thu, 27 Feb 2014 05:49:25 GMT</pubDate>
  <title>Joined.</title>
  <link>https://theodor-gylden.dreamwidth.org/16554.html</link>
  <description>&lt;img src=&quot;http://ic.pics.livejournal.com/classicalegoist/17005722/12989/12989_original.png&quot;&gt;&lt;br /&gt;&lt;br /&gt;&apos;It&apos;s good luck, getting married [...] Your spouse is like a bright false-star: clear and steady, to steer you home.&apos;&lt;br /&gt;- the Salt-Scarred Navigator&lt;br /&gt;&lt;br /&gt;Indeed.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=16554&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/16554.html</comments>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/16162.html</guid>
  <pubDate>Fri, 24 Jan 2014 23:37:31 GMT</pubDate>
  <title>On Celestial Language.</title>
  <link>https://theodor-gylden.dreamwidth.org/16162.html</link>
  <description>&quot;Now a word is twofold, viz. internall, and uttered; An internall word is a conception of the mind, and motion of the soul, which is made without a voice. As in dreams we seem to speak, and dispute with our selves, and whilest we are awake we run over a whole speech silently. But an uttered word hath a certain act in the voice, and properties of locution, and is brought forth with the breath of a man, with opening of his mouth, and with the speech of his tongue, in which nature hath coupled the corporeall voice, and speech to the mind, and understanding, making that a declarer, and interpreter of the conception of our intellect to the hearers, And of this we now speak. Words therefore are the fittest medium betwixt the speaker and the hearer, carrying with them not only the conception of the mind, but also the vertue of the speaker with a certain efficacy unto the hearers, and this oftentimes with so great a power, that oftentimes they change not only the hearers, but also other bodies, and things that have no life. Now those words are of greater efficacy then others, which represent greater things, as intellectuall, Celestiall, and supernaturall, as more expressly, so more misteriously.&quot;&lt;br /&gt;- Heinrich Cornelius Agrippa, De Occulta Philosophia libri III&lt;br /&gt;&lt;br /&gt;&quot;As you are of course aware, the Correspondence is a form of language. We are still investigating what form of person or creature actually used this language, and what concepts it can communicate. The Senior Reader had this outlandish idea that one could use it to speak with, ah, celestial entities.&quot;&lt;br /&gt;- The Semi-Semiotic Fellow of the Department of _______&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=16162&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/16162.html</comments>
  <category>copied</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/16037.html</guid>
  <pubDate>Wed, 15 Jan 2014 03:10:51 GMT</pubDate>
  <title>Putting the Pieces Together.</title>
  <link>https://theodor-gylden.dreamwidth.org/16037.html</link>
  <description>&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://theodor-gylden.dreamwidth.org/16037.html#cutid1&quot;&gt;Regarding the Bazaar, her beloved, and her children&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=16037&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/16037.html</comments>
  <category>concordances</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/15715.html</guid>
  <pubDate>Mon, 23 Dec 2013 07:04:19 GMT</pubDate>
  <title>Prelapsarian Notes.</title>
  <link>https://theodor-gylden.dreamwidth.org/15715.html</link>
  <description>&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://theodor-gylden.dreamwidth.org/15715.html#cutid1&quot;&gt;A Collection&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=15715&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/15715.html</comments>
  <category>concordances</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/15491.html</guid>
  <pubDate>Wed, 11 Dec 2013 03:45:38 GMT</pubDate>
  <title>Free of the Name.</title>
  <link>https://theodor-gylden.dreamwidth.org/15491.html</link>
  <description>&lt;i&gt;&quot;When you wake up - and you&apos;re about to wake up - throw the candle away. Let your scars heal. Forget all this stuff. For good. Right?&lt;br /&gt;&lt;br /&gt;&quot;Now then. I invoke the Spires, for the price. I invoke the Sea, for the cleansing. I invoke the God who Dreams, for the light...&quot;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=15491&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/15491.html</comments>
  <category>mr eaten</category>
  <category>echoes</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/15123.html</guid>
  <pubDate>Tue, 25 Dec 2012 04:45:40 GMT</pubDate>
  <title>Glaedelig Jul.</title>
  <link>https://theodor-gylden.dreamwidth.org/15123.html</link>
  <description>[This season, Theodor Gylden has sent you something of home: a card featuring the julenisse, yule-hob, and its yuletide goat laden with presents. &lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://theodor-gylden.dreamwidth.org/15123.html#cutid1&quot;&gt;Glaedelig Jul, says his handwriting like spikes of holly, og godt nytår.&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;]&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=15123&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/15123.html</comments>
  <category>image</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/15022.html</guid>
  <pubDate>Wed, 25 Apr 2012 17:59:19 GMT</pubDate>
  <title>Notes -- Parabola and Polythreme.</title>
  <link>https://theodor-gylden.dreamwidth.org/15022.html</link>
  <description>&lt;br /&gt;Everything, I believe, is interconnected ... Fingerwork, the Gates of the Garden, the Eyes of Icarus, the Falling Cities. And so the Mysteries of Polythreme interconnect with Parabola&apos;s; they form themselves a parabola, an image mirrored unto itself. I&apos;ve written before on my voyage to the &lt;a href=&quot;http://theodor-gylden.dreamwidth.org/2103.html&quot;&gt;Marches of the Mirror Country&lt;/a&gt;. Now I will write on my voyage across the zee.&lt;br /&gt;&lt;br /&gt;First, let me begin in Fallen London. There I worked with an Implacable Detective, to discover a missing Medium -- and when I discovered her, I discovered that she, like me, had been Behind the Mirror. But she appeared possessed by it ... She sang in English and in Loamsprach, the language of the Clay. &lt;i&gt;&lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1773236&quot;&gt;&apos;We will exist!&apos; &apos;Clothed in jade and clothed in mud!&apos; &apos;The king with a hundred hearts!&apos; &apos;No flying thing, no thing that flies!&apos; &apos;The garden gates, with faces locked ...&apos;&lt;/a&gt;&lt;/i&gt; In her reflection, her hair and hands moved like the slithering of serpents.&lt;br /&gt;&lt;br /&gt;That would not be the last I heard of the Serpent-Handed. In another, private case, I found that &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1757294&quot;&gt;a novelist of the Neath and a poet of the Surface had both invoked that mirror image&lt;/a&gt;, independent of one another, inspired by &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1757290&quot;&gt;their dreams&lt;/a&gt;. And thus I learned of &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1757840&quot;&gt;a dream-entity&lt;/a&gt; that slithers through one&apos;s consciousness whenever one brings it to being by writing of it. I believe the Medium was touched by this entity. &lt;s&gt;I believe I may be touched, too&lt;/s&gt;&lt;br /&gt;&lt;br /&gt;But enough of serpents. The Medium spoke of the king with a hundred hearts, and I did not know her meaning then, but I know it now. The King of a Hundred Hearts is the king of Polythreme -- &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1800854&quot;&gt;its &lt;i&gt;genius loci&lt;/i&gt;&lt;/a&gt;. In Polythreme, everything is animate. &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1845038&quot;&gt;Stone screams, water begs.&lt;/a&gt; On the Grunting Fen, I speculated that all things share &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1802114&quot;&gt;a soul, or spirit&lt;/a&gt; -- &lt;i&gt;pneuma&lt;/i&gt;, as the Stoics conceived of &lt;i&gt;pneuma&lt;/i&gt;, the breath of life and the form possessed even by the lifeless. I have come to believe that soul, that spirit, that &lt;i&gt;pneuma&lt;/i&gt;, is the Hundreds&apos;. Through the Hundreds, Polythreme lives and the Clay Men are born. &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1792731&quot;&gt;I witnessed the birth of a Clay Man in Polythreme, one heart broken from many&lt;/a&gt;. Like men, &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1823798&quot;&gt;the Hundreds dream.&lt;/a&gt; Like the author, like the poet, the King&apos;s dreams bring something into being, and that something is the Clay Men. Clothed in jade and clothed in mud, they will exist.&lt;br /&gt;&lt;br /&gt;What of garden gate, with faces locked? Polythreme&apos;s priests speak of &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1792553&quot;&gt;the garden and the mountain&lt;/a&gt;. There, too, is an interconnection, for it is said that in the Elder Country exists &lt;a href=&quot;http://www.fallenlondon.com/Profile/narcissus_echo?fromEchoId=504123&quot;&gt;a great glowing mountain&lt;/a&gt; -- and it said that wherever death flees from, &lt;a href=&quot;http://www.fallenlondon.com/Profile/echo_theodor?fromEchoId=1805967&quot;&gt;it flees from the Elder Country first&lt;/a&gt;, like the shadow fleeing light. There is a curious quality to the Neath. We die, but our deaths are a part of life such that we can live again. We dream, but we dream in common, as in a common reality. In Polythreme, even the lifeless have life. In Parabola, we wander a waking dream. One opens to the other, as through reflecting frames. I know they have a single source. &lt;br /&gt;&lt;br /&gt;I do not yet know what, or how -- but in my dreams it shines with the Memory of Light.&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=15022&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/15022.html</comments>
  <category>notes</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/14794.html</guid>
  <pubDate>Fri, 13 Apr 2012 05:22:56 GMT</pubDate>
  <title>North.</title>
  <link>https://theodor-gylden.dreamwidth.org/14794.html</link>
  <description>With Ships the sea was sprinkled far and nigh,&lt;br /&gt;Like stars in heaven, and joyously it showed;&lt;br /&gt;Some lying fast at anchor in the road,&lt;br /&gt;Some veering up and down, one knew not why.&lt;br /&gt;A goodly Vessel did I then espy&lt;br /&gt;Come like a giant from a haven broad;&lt;br /&gt;And lustily along the bay she strode,&lt;br /&gt;Her tackling rich, and of apparel high.&lt;br /&gt;This Ship was nought to me, nor I to her,&lt;br /&gt;Yet I pursued her with a Lover’s look;&lt;br /&gt;This Ship to all the rest did I prefer:&lt;br /&gt;When will she turn, and whither? She will brook&lt;br /&gt;No tarrying; where She comes the winds must stir:&lt;br /&gt;On went She, and due north her journey took.&lt;br /&gt;&lt;br /&gt;- William Wordsworth&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=14794&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/14794.html</comments>
  <category>copied</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/14361.html</guid>
  <pubDate>Mon, 19 Mar 2012 00:14:35 GMT</pubDate>
  <title>We are all seekers in the quest of the Philosopher&apos;s Stone.</title>
  <link>https://theodor-gylden.dreamwidth.org/14361.html</link>
  <description>&apos;It is true of all of us, then, that we seek for Unity -- unity in mind and life. Some seek it in science and a life of knowledge; some seek it in religion and a life of faith; some seek it in human love and find it in the life of service to their fellows; some seek it in pleasure and the gratification of the senses&apos; demands; some seek it in the harmonious development of all the facets of their being. Many the methods, right and wrong; many the terms under which the One is conceived, true and false--in a sense, to use the phraseology of a bygone system of philosophy, we are all, consciously or unconsciously, following paths that lead thither or paths that lead away, seekers in the quest of the Philosopher&apos;s Stone.&apos;&lt;br /&gt;- H. Stanley Redgrove&lt;br /&gt;&lt;br /&gt;&apos;MANY OF US YEARN FOR ... UNITY. TO BE SEPARATED AND MADE ALONE IS ... DIFFICULT. WE SORROW FOR OUR BROTHERS TITHED TO THE MAW THAT IS LONDON. BUT IT IS OUR NATURE TO LOVE. FOR THE KING WITH THE HUNDRED HEARTS BECAME SO BECAUSE OF THE LOVE OF ANOTHER.&apos;&lt;br /&gt;- a Clay Priest of Polythreme&lt;br /&gt;&lt;br /&gt;&apos;Love is a vital principle uniting, or seeking to unite two together.&apos;&lt;br /&gt;- St Augustine&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=14361&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/14361.html</comments>
  <category>copied</category>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/13923.html</guid>
  <pubDate>Thu, 09 Feb 2012 03:41:43 GMT</pubDate>
  <title>On Animals and Their Names.</title>
  <link>https://theodor-gylden.dreamwidth.org/13923.html</link>
  <description>[a personal registry.]&lt;br /&gt;&lt;br /&gt;Diaktoros (&lt;em&gt;Dazed Raven Advisor&lt;/em&gt;), for the minister and messenger.&lt;br /&gt;&lt;br /&gt;Himingl&amp;aelig;va (&lt;em&gt;Cheerful Goldfish&lt;/em&gt;), for the wave that reflects the light of the sky.&lt;br /&gt;&lt;br /&gt;Nor&amp;eth;ri, Su&amp;eth;ri, Austri, and Vestri (&lt;em&gt;Sulky Bats&lt;/em&gt;), for the winds.&lt;br /&gt;&lt;br /&gt;Hylde (&lt;em&gt;Haunted-looking Dog&lt;/em&gt;), for what can be found in a bookshop.&lt;br /&gt;&lt;br /&gt;T&amp;aelig;ppe (&lt;em&gt;Slavering Dream-hound&lt;/em&gt;), for what comforts us when we dream and is gone by morning.&lt;br /&gt;&lt;br /&gt;Nabu (&lt;em&gt;Corresponding Ocelot&lt;/em&gt;), for the god of the stylus.&lt;br /&gt;&lt;br /&gt;Askalaphos (&lt;em&gt;Bifurcated Owl&lt;/em&gt;), for the d&amp;aelig;mon&amp;nbsp;of the underworld&apos;s orchards.&lt;br /&gt;&lt;br /&gt;Wadjet (&lt;em&gt;Hound of Heaven&lt;/em&gt;), for the sunsnake.&lt;br /&gt;&lt;br /&gt;Keket (&lt;em&gt;Grubby Kitten&lt;/em&gt;), for primordial darkness. &lt;br /&gt;&lt;br /&gt;Bezalel (&lt;em&gt;Unfinished Hat&lt;/em&gt;), for the rabbi.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=13923&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/13923.html</comments>
  <category>character development</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>https://theodor-gylden.dreamwidth.org/13679.html</guid>
  <pubDate>Sat, 24 Dec 2011 18:03:02 GMT</pubDate>
  <title>Yuletide Treasure</title>
  <link>https://theodor-gylden.dreamwidth.org/13679.html</link>
  <description>[Theodor has given that rarest of gifts from Paulsen &amp;amp; Associates, booksellers -- books. Some are obscure, some are popular, some are curiously bound and curiously pointless. All of them smell of old ink and wonder.]&lt;br /&gt;&lt;br /&gt;&lt;i&gt;adam emet&lt;/i&gt;&lt;br /&gt;&lt;b&gt;The Game of Logic&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/610604862/the-game-of-logic-carroll-lewis-macmillan&lt;br /&gt;&lt;br /&gt;&lt;i&gt;apple&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Royal Illuminated Book of Nursery Rhymes&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/816378355/theshipthatflew-via-yama-bato-fairy-tales&lt;br /&gt;&lt;br /&gt;&lt;i&gt;asclepius unbound&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Chaldean Magic&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/909478358/chaldean-magic-first-uk-edition-london-samuel&lt;br /&gt;&lt;br /&gt;&lt;i&gt;asher wilsford&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Picturesque Egypt&lt;/b&gt;&lt;br /&gt;http://yama-bato.tumblr.com/post/535154502/front-cover-ebers-egypt-vo-i-source-ebers&lt;br /&gt;&lt;br /&gt;&lt;i&gt;bartholomaew&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Manual on Shipsignalling&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/4093573740/shipsignalling&lt;br /&gt;&lt;br /&gt;&lt;i&gt;becquerel curie&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Episodes of Insect Life&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/13465799312/episodes-of-insect-life-budgen-e-l-acheta&lt;br /&gt;&lt;br /&gt;&lt;i&gt;bel falkenrath&lt;/i&gt;&lt;br /&gt;&lt;b&gt;The Quiver of Love&lt;/b&gt;&lt;br /&gt;http://yama-bato.tumblr.com/post/818537231/walter-crane-artist-british-1845-1915-the&lt;br /&gt;&lt;br /&gt;&lt;i&gt;c&amp;eacute;cile b&amp;eacute;ringer&lt;/i&gt;&lt;br /&gt;&lt;b&gt;The Techno-Chemical Receipt Book&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/407497151/the-techno-chemical-receipt-book-1889-the-latest&lt;br /&gt;&lt;br /&gt;&lt;i&gt;commodore creazil&lt;/i&gt;&lt;br /&gt;&lt;b&gt;La Grande Danse Macabre&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/12169757904/la-grande-danse-macabre-des-hommes-et-des-femmes&lt;br /&gt;&lt;br /&gt;&lt;i&gt;crocifissa&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Science and Art of Chess&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/2943001849/chess&lt;br /&gt;&lt;br /&gt;&lt;em&gt;delphina demmings&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;The Universe&lt;br /&gt;&lt;/strong&gt;http://northsuite.tumblr.com/post/14724285499&lt;br /&gt;&lt;br /&gt;&lt;i&gt;eris fnord&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Poems&lt;/b&gt;&lt;br /&gt;http://scrap.oldbookillustrations.com/post/374331801/sealmaiden-cobden-sanderson-binding-on-dante&lt;br /&gt;&lt;br /&gt;&lt;i&gt;gabriel flynn&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Sibylline Oracles&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/14413611229/sibylline-oracles-opsopoeus-johannes-ed-in&lt;br /&gt;&lt;br /&gt;&lt;i&gt;helen demeter&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Flowers of Paradise&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/356688581/flowers-of-paradise-by-reginald-francis&lt;br /&gt;&lt;br /&gt;&lt;i&gt;henrik paulsen&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Book of Hours&lt;/b&gt;&lt;br /&gt;http://ornamentedbeing.tumblr.com/post/14067014930&lt;br /&gt;&lt;br /&gt;&lt;i&gt;honoria marlowe&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Golden Leaves&lt;/b&gt;&lt;br /&gt;http://yama-bato.tumblr.com/post/5670230242/leighton-john-designer-style-publishers&lt;br /&gt;&lt;br /&gt;&lt;i&gt;israel salvador&lt;/i&gt;&lt;br /&gt;&lt;b&gt;A Journey to the Centre of the Earth&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/1157193835/a-journey-to-the-centre-of-the-earth-verne-jules&lt;br /&gt;&lt;br /&gt;&lt;i&gt;laura riding&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Old English Ballads&lt;/b&gt;&lt;br /&gt;http://scrap.oldbookillustrations.com/post/14544643838/old-english-ballads-cover&lt;br /&gt;&lt;br /&gt;&lt;i&gt;lamp, lace, and pear&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Little Ditties&lt;/b&gt;&lt;br /&gt;http://scrap.oldbookillustrations.com/post/11108368926/little-ditties-cover&lt;br /&gt;&lt;br /&gt;&lt;em&gt;lin-sijan yujao&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;The Savage World Natural History&lt;br /&gt;&lt;/strong&gt;http://book-aesthete.tumblr.com/post/14821122697/the-savage-world-1889&lt;br /&gt;&lt;br /&gt;&lt;i&gt;louis plumb&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Mathematical Magic&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/12476313639/mathematical-magic-or-the-wonders-that-may-be&lt;br /&gt;&lt;br /&gt;&lt;i&gt;midnight voyager&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Japanese Fragments&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/354610431/japanese-fragments-with-facsimiles-of&lt;br /&gt;&lt;br /&gt;&lt;i&gt;narciso&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Endymion&lt;/b&gt;&lt;br /&gt;http://yama-bato.tumblr.com/post/590027435/indigodreams-keats-john-1795-1821-title&lt;br /&gt;&lt;br /&gt;&lt;i&gt;nathan attford&lt;/i&gt;&lt;br /&gt;&lt;b&gt;The Language and Poetry of Flowers&lt;/b&gt;&lt;br /&gt;http://scrap.oldbookillustrations.com/post/620948341/language-flowers-cover&lt;br /&gt;&lt;br /&gt;&lt;i&gt;polly gorey&lt;/i&gt;&lt;br /&gt;&lt;b&gt;The Origin and Progress of Writing&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/6789712898/the-origin-and-progress-of-writing-as-well&lt;br /&gt;&lt;br /&gt;&lt;i&gt;scarlet fenwick&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Glimpses in the Twilight&lt;/b&gt;&lt;br /&gt;http://book-aesthete.tumblr.com/post/1109494701/ghoulnextdoor-rev-george-frederick-lee&lt;br /&gt;&lt;br /&gt;&lt;em&gt;thomas puz&lt;br /&gt;&lt;/em&gt;&lt;strong&gt;The Hunting of the Snark&lt;br /&gt;&lt;/strong&gt;http://book-aesthete.tumblr.com/post/732061378/dodgson-charles-lutwidge-lewis-carroll-the&lt;br type=&quot;_moz&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=theodor_gylden&amp;ditemid=13679&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://theodor-gylden.dreamwidth.org/13679.html</comments>
  <category>image</category>
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